1963 United Artists Records advertisement for the soundtrack of It's A Mad, Mad, Mad, Mad World- as featured in Billboard Magazine. |
The original Cinerama widescreen process consisted of three images that were filmed simultaneously, and would be later projected (through three simultaneous film projectors) on a curved screen. Because the original process was expensive for major studios and producers, Kramer’s film (released through United Artists) would be the first single-lens Cinerama feature. It was filmed in 65mm Super Panavision, and then was converted for the single-lens Cinerama format. Thus, the familiar three-projector setup would be phased out by existing Cinerama theater venues for the new single-lens projection system.
Whether moviegoers saw the film in Super Panavision or the single-lens Cinerama process, the film made $46.3 million in ticket sales (which offset the production's budgetary concerns). The film was re-released to theaters in 1970. If you've never seen this fantastic cult comedy before, see it when you get the chance to.
THE CRITERION EDITION: The Criterion Collection has released It’s A Mad, Mad, Mad, Mad World on a dual-format Blu-Ray/DVD disc (from a new High-Definition transfer) with Ernest Gold’s score in DTS 5.1 surround sound. Not only does this set include the general release version, it also includes the 197-minute extended version restored by Robert A. Harris (scanned in 4K, presented in its original aspect ratio of 2.76:1). There are also many bonus features, including trailers, radio and TV spots for the film (with a new introduction from legendary voice-over actor Stan Freberg, who did various TV/radio spots for the feature film), a 1974 ABC retrospective on the film with Stanley Kramer, Sid Caesar, Jonathan Winters, and Buddy Hackett; Jack Davis’ iconic artwork, and much more. This writer will definitely have to check it out sometime.
Whether moviegoers saw the film in Super Panavision or the single-lens Cinerama process, the film made $46.3 million in ticket sales (which offset the production's budgetary concerns). The film was re-released to theaters in 1970. If you've never seen this fantastic cult comedy before, see it when you get the chance to.
From a 1963 issue of International Projectionist. |
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