Cancellation of the Majestic Theater's special screening of "Casablanca" (1942)

A recent change has been made to an upcoming major classic film screening at the Majestic Theater in Gettysburg, Pennsylvania.

The Feb. 13 revival screening of the 1942 classic, “Casablanca,” with special guest Robert Osborne (of Turner Classic Movies) has been cancelled.  According to a recent press release from the theater, Osborne informed the management of the Majestic that he is in the hospital and is undergoing treatment for pneumonia.

Osborne, a noted film critic and longtime TCM host (since the network’s launch in 1994), was originally slated to make a special guest appearance on stage at the Majestic, before the cinema’s screening of “Casablanca” (alongside Jeffrey W. Gabel, founding executive director of the theater). The cinema is honoring ticket refunds.

The writer of “At the Matinee” and “Silver Screen Reflections” wishes Robert Osborne a speedy recovery and is hopeful that he will reschedule his appearance at the Majestic in the near future.

RiffTrax Live: “Santa and the Ice Cream Bunny” to be shown in theaters on Dec. 3rd

A re-post (from the offshoot blog of "At The Matinee," "Silver Screen Reflections").  

For those who watched the “Mystery Science Theater 3000 Turkey Day ‘15” streaming marathon, there’s another “cheesy movie” serving presented by several familiar voices from the cult series.

It’s time for “RiffTrax Live: Santa and the Ice Cream Bunny” (1972)

Fans of “Mystery Science Theater 3000” and “RiffTrax” will be in for a holiday treat, as Mike Nelson, Kevin Murphy and Bill Corbett will riff the 1972 Z-budget kiddie holiday film, “Santa and the Ice Cream Bunny.”

The cast of RiffTrax, in conjunction with NCM Fathom Events, will present a live broadcast screening of this low-budget Christmas film in select theaters from coast-to-coast, on Dec. 3.  A re-broadcast of that night’s screening will occur in select cinema venues on Dec. 15.

An advertisement for the RiffTrax screening of “Santa and the Ice Cream Bunny” was seen throughout Shout! Factory TV and their streaming broadcast of the “MST3K Turkey Day ‘15” event on YouTube (in-between each episode).

From a long line of cheesy, low-budget “kiddie” holiday films…

“Santa and the Ice Cream Bunny” is one of many cheesy holiday films that have been riffed by the cast of RiffTrax over the years, including “Santa Claus Conquers the Martians” (1964) and K. Gordon Murray’s English-dubbed Mexican fantasy film, “Santa Claus“ (1959).  Both aforementioned films have also been shown on MST3K.

Why you should see the RiffTrax version of this holiday “turkey” (for those that may have never watched MST3K or RiffTrax):


If you didn’t watch the “Mystery Science Theater” marathon, or have never experienced a “RiffTrax Live” screening, then this is the perfect opportunity to experience movie riffing at its finest on the big screen, through the courtesy of Mike Nelson, Kevin Murphy and Bill Corbett.




RiffTrax Live Presents: “Santa and the Ice Cream Bunny” (1972)


Broadcast live in select theaters nationwide on Thurs., Dec. 3 at 7:30 p.m.

Closest cinema venue to the Frederick area (to see the live broadcast of "RiffTrax Live: Santa and the Ice Cream Bunny"):

R/C Gateway Gettysburg Theaters 8
20 Presidential Circle
Gettysburg, PA 17325
Phone: (717) 334-5575

Buy Tickets from R/C Gateway Gettysburg Theaters 8 (via MovieTickets.com)

Complete list of theaters from coast-to-coast that will be showing “RiffTrax Live: Santa and the Ice Cream Bunny”(on Dec. 3, via NCM Fathom Events)

NOTE: A re-broadcast of the RiffTrax screening of “Santa and the Ice Cream Bunny” is scheduled for select theaters from coast-to-coast on Dec. 15.  

Yet according to the theater listings for the re-broadcast date (via NCM Fathom Events), R/C Gateway Gettysburg Theaters 8 will not be showing the Dec. 15 re-broadcast (the listing of theaters for the re-broadcast may be updated by then).

More information about "RiffTrax"

"Silver Screen Reflections" Is Finally Here!

"Silver Screen  Reflections" is finally here (for my online journalism class at Hood College).

Check out the first two posts, including "Top 10 Ways to enjoy Classic Film," and an article on the recent Turner Classic Movies airing of the once-lost 1929 Colleen Moore Vitaphone (non-talking) film, "Why Be Good?"

The address is silverscreenreflex.wordpress.com.  Enjoy!

Mr. Hamby meets Ken Burns at Gettysburg (November 2008)

In commemoration of the upcoming premiere of the new high-definition transfer of Ken Burns' landmark 1990 documentary film, The Civil War on PBS, let's take a walk down "memory lane."

November 19th, 2008: Documentary filmmaker Ken Burns addresses the
crowd at the Dedication Day ceremony at Gettysburg National Cemetery
in Gettysburg, Pennsylvania.

"November 19th... This day is one of my most favorite of days, a day of possibilities."
-Documentary Filmmaker Ken Burns, giving the introductory keynote address at The 145th Gettysburg Address Dedication Day Ceremony, in Gettysburg, Pennsylvania on November 19th, 2008

November 19th, 2008: It was a chilly day up in Gettysburg, Pennsylvania.  I learned about the Dedication Day commemoration event several days earlier, after reading in The News-Post that documentary filmmaker Ken Burns would make a special appearance at the event.  I was studying at Frederick Community College at the time, and by luck- I didn't have any classes on that day.  So I trekked up to Gettysburg to watch the Dedication Day ceremonial event on the morning of November 19th, which marked the 145th anniversary of President Lincoln's Gettysburg Address.

On that cold day at Gettysburg National Cemetery, the guest speakers for the event (in addition to Ken Burns) were renowned Abraham Lincoln impersonator Jim Getty, Andy Brunhart, then-deputy director of the United States Mint (Brunhart unveiled a commemorative Lincoln coin design at the Dedication Day ceremony), Gettysburg National Military Park superintendent John Latschar, Sons of Union Veterans' Chief Commander of the National Order David Acheson and Lincoln Fellowship of Pennsylvania President Ron Hankey.

Ken Burns with a Civil War re-enactment troupe
at the 2008 Dedication Day ceremony in
Gettysburg, Pennsylvania.

Throughout the ceremony, Burns gave the keynote address, after Jim Getty's re-enactment of Lincoln's Gettysburg Address.  With my palm-sized Aiptek Digital Camera that I had at the time (I still have it in my camera collection, as I have upgraded to better cameras since then), I filmed the entire event from start to finish in freezing temperatures, along with some still photographs of the ceremony (including a group photograph of Burns with an area Civil War re-enactment troupe).

At the end of the ceremony, Burns was on hand to sign programs from interested patrons.  I was one of the lucky ones to have my program booklet signed by the master documentary filmmaker.  After the event, I had lunch at The Dobbin House Tavern in Gettysburg, sitting near several Civil War re-enactors who attended the event, munching on a delicious hot Reuben sandwich with warm cider.

Ken Burns (center), singing autographs on patrons'
programs at the 2008 Dedication Day ceremony
in Gettysburg, Pennsylvania.  I was one of the
lucky ones to have my program booklet signed
by Burns.

The day after, I had my one of my evening Video Editing classes at FCC.   I thought that it would be an unique idea to share with the class about getting Ken Burns' autograph on my program guide for the ceremony in Gettysburg.  To my surprise, neither the instructor, nor any of my fellow friends in class knew who Ken Burns was.  I was in shock that no one knew about the acclaimed historical documentary filmmaker.

Some six years later, when I entered Hood College as a transfer student (using my FCC credits), I was glad to hear that several of my friends in my classes have heard of Ken Burns and his critically-acclaimed documentary films on Public Television.  I was glad to hear that I wasn't the only one who had heard of Ken Burns.

Aside from all that, I felt that was one of the most exciting moments of my life, not only as an aspiring filmmaker/videographer, but as a person who enjoys watching Ken Burns' iconic historical documentaries, including The Statue of Liberty, The Civil War, Empire of the Air, Baseball, Jazz, The National Parks and The Roosevelts (which premiered last fall on PBS)- just to name several.

Here's your chance to see documentary filmmaking at its finest: The 25th Anniversary edition of Ken Burns' The Civil War (restored in high-definition), will be shown on PBS, starting on September 7th at 9:00 PM EST (in areas close to the home base of At The Matinee, it will be shown on Maryland Public Television and WETA-TV 26).

More on Ken Burns' 1991 documentary on the pioneers of radio and television broadcasting, Empire Of The Air can be found here.

Moment of Zen: Farewell to "The Daily Show with Jon Stewart"

Credit: Comedy Partners (Comedy Central)

NOTE: While the author of "At The Matinee" respects viewpoints from all sides of the political spectrum, this post isn't about politics or anything related to the field of politics, this is related to the field of satire and comedy.  Thank you.

May 22nd, 1992: The "king of late night," Johnny Carson (1925-2005) hosted his final episode ofThe Tonight Show on NBC.

August 6th, 1993: Joe Franklin (1926-2015) retired from hosting his local New York (and later, Secaucus) talk show, The Joe Franklin Show.  Throughout Franklin's 40 years in television from his WABC and WOR/WWOR shows, the pioneering talk show host hosted more than 21,425 programs (more on "the king of nostalgia" here). 

November 18th, 2011: Regis Philbin stepped down from "Live," after co-hosting 17,000 hours of live morning television.

December 18th, 2014: Stephen Colbert hosted his last episode of The Colbert Report on Comedy Central.  That same evening, Craig Ferguson hosted his final episode The Late Late Show on CBS (read the previous blog post here).

May 20th, 2015: After 33 years in late night television (on NBC and CBS), David Letterman bid farewell to The Late Show on CBS.

August 6th, 2015: After sixteen years and over 2,500+ shows on Comedy Central, noted personality Jon Stewart bid farewell to The Daily Show.  One could have said that the evening of Thursday, August 6th was a "golden" evening for comedic satire.

Cover from the DVD box set of The Daily Show with Jon Stewart:
Indecision 2004 episodes during the 2004 Presidential campaign.
Stewart is surrounded by his then-Daily Show corespondent
team, consisting of Stephen Colbert, Rob Corddry,
Samantha Bee and Ed Helms.  From the vast At The Matinee media vault. 

"So if you smell something, say something." -Jon Stewart, on his final telecast of Comedy Central's The Daily Show.

On the same night that the first televised  Republican 2016 Presidential candidates' debate took place, Stewart bid farewell to his Daily Show colleagues (past and present), along with pre-recorded messages from celebrities, dignitaries, top guests and foes who wanted to bid farewell to Jon Stewart. The tribute included a farewell greeting from the president of the fast-food chain Arby's, Paul Brown (Stewart made hilarious rants about Arby's during his stint as host of The Daily Show).

Throughout Jon Stewart's tenure as host, the majority of Daily Show corespondents throughout the years have credited the show as a springboard to later successes in their careers.

Past and present Daily Show corespondents were on hand to bid farewell to Stewart, including Steve Carrell, Lewis Black, Wyatt Cenac, John Oliver (who has his own successful weekly satirical news series on HBO), Samantha Bee, Jason Jones, Mo Rocca (who is now a correspondent for CBS' Sunday Morning with Charles Osgood), Vance DeGeneres, Larry Wilmore (who now hosts his own post-Daily Show series, The Nightly Show), original Daily Show host Craig Kilborn (who hosted the show from its inception in 1996 until the end of 1998), Ed Helms, Michael Che, Rob Corddry, Nate Corddry, Aasif Mandvi, Jordan Klepper, Dave Attell, Hasan Minhaj, Kristen Schaal, Rob Riggle, Jessica Williams, John Hodgman, Olivia Munn, Al Madrigal, Matt Walsh, Dan Bakkedahl, successor host Trevor Noah, Bassem Youssef, Josh Gad and last but not least- the great Stephen Colbert, sharing his moments with Stewart (apart from Colbert's faux arch-conservative pundit role on the successful Daily Show spin-off, The Colbert Report from 2005-2014).  Colbert will be taking over David Letterman's old Late Show spot on CBS this September.

Promotional leaflet (circa 2005) for
The Daily Show with Jon Stewart,which was included with the
Indecision 2004 DVD box set (from the vast At The Matinee
media vault).

There were also pre-recorded appearances by noted celebrities, politicians, pundits and news commentators, including Representative Charles Rangel, New Jersey Governor (and Republican Presidential candidate) Chris Christie, Senator Chuck Schumer, former First Lady, Senator, Secretary of State (and current Democratic Presidential candidate) Hillary Clinton, Chicago Mayor Rahm Emanuel, MSNBC morning hosts/commentators Joe Scarborough and co-host Mika Brezinski, CNN anchor/reporter Wolf Blitzer, Senator (and Republican Presidential candidate) Lindsay Graham, Secretary of State (and former Massachusetts Senator) John Kerry, Stewart's arch-nemesis Bill O'Riley, and Senator John McCain- all taking a jab at Stewart.

The show ended with legendary musician Bruce Springsteen and his E Street Band (one of the band's members, percussionist Max Weinberg, was Conan O'Brien's original bandleader on NBC's Late Night with Conan O'Brien from 1993 to the program's conclusion in 2009) performing a tribute song in honor of Stewart's Daily Show career.

During Stewart's Daily Show career, the show transformed from a niche cable "fake" news program with celebrity and comedic personalities, to one of the most-watched popular television programs in the nation.

The Daily Show with Jon Stewart surpassed traditional news platforms over time, as Stewart interviewed political experts, figureheads, authors, pundits, politicians, humanitarians, national and world leaders.  When it came to certain politicians and people in the field of politics- Stewart would put them on the "hotseat," and ask questions that no other anchor/host from a news (or interview-based) program would have asked.

Stewart's show would spawn two best-selling books (with fellow Daily Show correspondents and writers)- America (The Book) in 2004 (the audiobook version won the 2005 Grammy Award for Best Spoken Word album), and Earth (The Book) in 2010.  Stewart is also praised for charitable causes, it was noted that he helped raise $2.2 million dollars (from his final show) for the organization New York Collaborates for Autism (according to CNBC).

In October 2010, both Stewart and Colbert (in his faux arch-conservative pundit role on The Colbert Report) took their comedic routine to Washington, D.C.- by having the Rally to Restore Sanity and/or Fear on the grounds of the National Mall.  It would have been great to have seen both Jon Stewart and Stephen Colbert in person that year (a "Frederick to Washington" tour bus group was launched for interested patrons to attend the event, but was unfortunately scrapped due to a lack of interest for the event).  Luckily, I purchased a commemorative T-Shirt from the event (via Comedy Central's website).

With Stewart's departure from The Daily Show, the general public may never see another entertaining (and interesting) program like Stewart's Daily Show.  With the zaniness of the 2016 Presidential election coming in, who will we turn to for a satirical look at the election?  I guess Conan O'Brien's TBS show and Colbert's Late Show on CBS (which will premiere this September) will do for my "late night" fix.

At The Matinee salutes Jon Stewart for sixteen great years of The Daily Show.  

#JonVoyage

"At The Matinee" wants to hear from you!

1939 trade advertisement for the
screwball comedy Midnight, with
comments/suggestions from test
audiences who saw the test screening.

As we transition into August, the author of At The Matinee would like to hear from fellow friends and readers of this blog.

As I've stated before, this blog is dedicated to the field of classic/contemporary motion pictures, television, music and technology.  It has come to my attention that some readers of At The Matinee may not be interested in these subjects at all.  No matter what, that will not deter me from writing about classic/contemporary cinema and television (along with technology and music from time to time).

Plus, I will continue writing about the Frederick area cinema venues* and their ignorance of showcasing classic/contemporary films, the way they were meant to be seen- on the big screen.

ATM Wants To Hear From You!  As I am the author/head writer of this blog, I would enjoy hearing comments/suggestions from fellow readers and newcomers to At The Matinee.

For example: what works on this blog, and what doesn't work on this blog?  What improvements/changes could be made to this blog, and what general suggestions would you have for future posts on At The Matinee?

Plus, I'm also open to the idea of contributing posts (from interested writers) to this blog on classic/contemporary cinema, and other topics related to those aforementioned fields.

Again, I am open to all comments on At The Matinee or anything related to this blog (NOTE: all comments are monitored by the author).  Don't be afraid to ask!

You can add your comments at the bottom of this post, or you can e-mail me anytime (by clicking on the hyperlink).

Be on the lookout for new posts in August!

Thanks to all for your suggestions.  I highly appreciate it.

All the best,
Chris Hamby

*Excluding The Weinberg Center For The Arts from the cinema venues that are refusing to show revival screenings of classic/contemporary films, since the theater is closed for air-conditioning renovations from now until October.  

"Cool" Tivoli Theater: The tale of Frederick's first major building with air conditioning

AUTHOR'S NOTE: I have been on hiatus for a brief time, due to a recent family medical situation that took place on Father's Day (June 21st).   After several days of medical treatment and recuperation, my father is doing fine.  He is resting and relaxing comfortably at the home office and worldwide headquarters of At The Matinee.  

My family and I would like to take this time to thank everyone out there for the prayers, well wishes and kind messages of concern.   All of us highly appreciate it.  

All the best,
Chris Hamby

Marquee of The Weinberg Center For The Arts, formerly known as the
Tivoli theater, which was the first major building (and cinema venue)
in the Frederick area to have air conditioning.

You may have heard by now that the Weinberg Center For The Arts (the former Tivoli theater) will be shuttering its doors for a brief period, due to the installment of a new air conditioning unit in the building, according to The News-Post.  The theater will be closed after the Frederick Film Festival concludes on June 28th, and will reopen on October 1st.  This post is being called "Cool" Tivoli, in reference to vintage newspapers calling air-conditioned cinemas "cool" in advertisements for the city's air-conditioned cinema location.

The new unit will replace the theater's older air conditioning unit, which was installed in 1940, during the "golden age" of Hollywood cinema.  To paraphrase Joe Franklin (1926-2015), let's take a trip down "Memory Lane."

1940- Enter "Challedon," Warner Bros.' Jack L. Warner, W.L. Brann and Dr. Thomas: The idea for air-conditioning in the Tivoli theater came one day before the 1940 Hollywood Gold Cup thoroughbred horse race at Santa Anita Park in the town of Arcadia, California.

Jack L. Warner (late 1940's).

At a party that was held on the day before the race, Warner Bros. studio head Jack L. Warner was overheard by guests that he would bet $50,000 on the favorite horse in the race.  One of the guests, Dr. Edward "Eddie" Thomas, a local Frederick physician encouraged Warner to place his bet on the thoroughbred racehorse "Challedon" instead.  The youngest Warner took Thomas' advice, and decided to place his bet on Challedon.

Challedon, champion racehorse that Warner Bros. head
Jack L. Warner bet on, decided to return Dr. Edward
"Eddie" Thomas' favor on installing air-conditioning
at the studio-owned Tivoli theater in Frederick.

Thomas was close friends with advertising executive W.L. Brann (1877-1951), who bred Challedon at his own farm, Branncastle Farm (now Glade Valley Farms) in Mount Pleasant (which is close to the home office of At The Matinee).  Brann's racehorse would win both 1939 and 1940 titles of "Horse of the Year," won second place in the 1939 Kentucky Derby and won first in the Preakness stakes that same year.

Challedon won the Hollywood Gold Cup race, and Warner won his bet.  The prolific studio mogul wanted to throw a party in honor of Dr. Thomas, yet Thomas declined Jack Warner's offer.  Warner wanted to ask the Frederick physician what he could do to return the favor.  Thomas told Warner about one of his studio's theaters in Frederick- the Tivoli, and how the theater could benefit from having an air-conditioning unit in the theater.  Warner agreed, and ordered his associates in New York to install air conditioning at the studio-owned Tivoli theater in Frederick.

NOTE: Warner Bros. acquired the Tivoli, along with two other Frederick area cinema venues- the City Opera House (now Brewer's Alley Restaurant), and the Frederick theater in 1928, as part of the studio's acquisition of The Stanley Company of America, a major cinema chain (and around the same time, First National Pictures and its major Burbank studio complex, which would become the official home of Warners).

One factor of this was because of the Stanley chain's installation of Warners' landmark "Vitaphone" sound-on-disc sound motion picture projection equipment.   The studio would own these theaters until the 1948 Paramount anti-trust consent decree, where the major studios were forbidden to own movie theaters (Warners' theater holdings were spun off to Fabian Interests, and were renamed Stanley-Warner Theaters, the organization sold the three theaters to the Weinberg family at the end of the 1950's).

Since then, audiences flocked to the Tivoli to see landmark motion pictures throughout the years in the "cool" on hot summer days, along with the latest newsreels and short subjects.

An interesting tale of how a prominent Hollywood studio mogul, two Frederick residents and a celebrated racehorse brought air-conditioning to Frederick's "crown jewel" theater.

SIDEBAR: Here's something I would like to know (to the current management of the Weinberg)- When is the theater going to show classic films from Hollywood's golden age on the big screen to compliment the "Flying Dog Brewery Movie Series"?

I'm not saying that there's anything wrong with the Flying Dog Movie Series, I think it would be great (along with fellow classic cinema enthusiasts) to showcase vintage and contemporary films the way they were meant to be seen, on the big screen.   

"Lost" reel of Laurel & Hardy's "Battle of the Century" Found

Section from a 1927-28 trade ad for Hal Roach's short subjects
(distributed at the time by MGM), featuring Laurel & Hardy.

A missing link to one of the most iconic moments in cinema history has been found, after one of the reels for this classic 1927 slapstick short was considered "lost" for many years.

According to Matthew Dessem's article on Slate, the discovery was recently announced at the Library of Congress' fourth annual Mostly Lost classic film festival.

The festival showcases select restored motion pictures that were once considered to be lost (or surviving fragments from "lost" motion pictures) at the State Theater in Culpeper, Virginia, the same city that is home to the Library of Congress' National Audio-Visual Conservation Center.

Dessem's article mentioned that silent film historian Jon Mirsalis uncovered the "lost" second reel of the classic 1927 Hal Roach comedy, Battle of the Century (featuring Stan Laurel & Oliver Hardy).  The second reel of the comic duo's 1927 short was classified as "lost" for nearly 60 years, due to the fact that clips from the film were used for a compilation film on classic moments in motion picture comedy (the "pie fight" sequence was served as the inspiration for Blake Edwards' 1965 farce, The Great Race).

ENTER ROBERT YOUNGSON: In 1957, filmmaker Robert Youngson (1917-1974) decided to make a feature-length motion picture, a compilation celebrating classic silent comedy, utilized from the libraries of Mack Sennett and Hal Roach.  This compilation film was titled The Golden Age of Comedy.

SIDENOTE: Youngson was no stranger to the industry, he originally made retrospective short subjects for Warner Bros., beginning in the late 1940's (compliled not only from the studio's own films, but from Warners' Vitagraph and First National holdings).  Some of Youngson's short subjects for Warners can be seen from time to time on Turner Classic Movies.

Fast forward to 1957, and Youngson was making his feature-length tribute to classic silent comedies. According to further findings from Dessem, Youngson might have been one of the last persons to see Battle of the Century in its complete form at the time.  He chose the legendary "pie fight" sequence in Roach's film, and it is widely speculated that Youngson junked the rest of Battle of the Century.

Shortly after the release of Youngson's compilation film, the original nitrate camera negatives became unusable (either due to mishandling or poor film storage).

It wasn't until last year, when Mirsalis found a can (acquired as part of a private film collection that once belonged to the late Gordon Berkow) with a label identifying the second reel of Battle of the Century. Thought to be lost, the film elements for Hal Roach's Battle of the Century are now being restored by Lobster Films in Paris.

This might be a clear sign that there will be a "complete" version of this classic Laurel & Hardy film sometime in the near future.

Newsreel Corner: Cross-Promotion for Vinnie Bell and the Coral "Electric Sitar"

Cross-promotion was nothing new for the major studios and their motion picture newsreels.  Up until the time of television (and before the 1948 "Paramount" anti-trust consent decree), the major studios usually had their newsreel units cover Hollywood or New York premieres of their parent studio's motion pictures, or in the form of one-reel publicity short subjects.

For the newsreel that was recently unearthed on the official YouTube channel of the National Archives and Records Administration, it not only shows one recording artist and his rendition of a popular song, but also showcasing a unique "electric" version of the sitar instrument.

The interesting fact is that the artist's recording label, the company that manufactured the instrument, that the artist is using during the recording session and the studio that filmed the newsreel have some sort of connection to each other.  And that ties in with the category of "cross-promotion."

Vinnie Bell, then a Decca recording artist, showcases his Coral Electric
Sitar, in a piece for the September 9th, 1967 edition of the
Universal Newsreel.  Eventually, this was a cross-promotion piece
for parent company MCA, and its divisions (Universal,
Decca,and Coral/Danelectro).  

1967: By this time, the motion picture newsreel was winding down in production, and there were only two newsreels in circulation: Universal Studios' Universal Newsreel and Hearst's News of the Day (formerly known as Hearst Metrotone News, as it was released by Metro-Goldwyn-Mayer).

In the edition of Universal's newsreel (narrated by Ed Herlihy) that was released on September 9th, 1967, the story was on Decca recording artist Vincent "Vinnie" Bell, showcasing and playing his new Coral "electric sitar" instrument.  The song that Bell played during the newsreel was a rendition of the Bert Kaempfert song, "That Happy Feeling."

Ironically, Decca handled North American licensing rights and distribution of the original German Kaempfert recording in 1962.

WHAT DOES THIS HAVE TO DO WITH CROSS-PROMOTION? In 1962, the Music Corporation of America (MCA), the leading talent agency and television syndication/production company (headed by Lew Wasserman), acquired American Decca Records.  Along with Decca and its subsidiary labels, MCA also acquired Universal Pictures as part of the package (four years earlier, the company acquired the Universal Studios lot in Universal City, California- primarily for production of the company's television shows).

This did not sit well with the Justice Department, so to avoid any anti-trust concerns, MCA divested its talent business, and decided to focus on motion pictures, television production/syndication and recorded music.

In 1966, the company decided to expand into the field of musical instruments, by acquiring the Danelectro Corporation, which was founded in 1947 by Nathan I. "Nat" Daniel (1912-1994).

Danelectro was known for manufacturing electric guitars not only under their own name, but for catalog department stores including Sears, Roebuck & Company (under the "Silvertone" brand) and Montgomery Ward (under the "Airline" brand).

According to the May 1967 press release in Billboard, the MCA subsidiary introduced the first electric sitar on the market, along with the research and development of both Vinnie Bell and and Nat Daniel.  The instrument was introduced to the public at the Chicago Music Show that same year.

When this instrument was put into production, the electric sitar did not bear the "Danelectro" name.  It was made under the "Coral" name, as Coral was a former sister label to Decca, only re-purposed by MCA for the production of musical instruments during this time, to compliment the entertainment conglomerate's music and home entertainment subsidiaries (including a line of "Decca Musical Instruments").

Yet, the relationship between MCA and Nat Daniel would not last long, as the entertainment conglomerate shuttered the musical instrument division, due in part to lackluster sales.

WITH ALL THAT ASIDE:  Not only is this an interesting look at cross-promotion, but this is a unique look at Bell and his "electric sitar."

At the end of 1967, Universal Studios decided to end their newsreel operation, while competitor Hearst decided to focus on the existing Screen News Digest newsreel series for classroom presentation (more on Hearst and SND can be found here).

Now presented from a new high-definition transfer from the National Archives and Records Administration (with other select Universal Newsreels on their YouTube channel), one can finally see the clarity of Vincent Bell, hard at work with Decca recording engineers recording his rendition of "That Happy Feeling,"

An interesting piece of cross-promotion between Universal's parent firm (MCA), showcasing their recording artist (on Decca) with the latest innovation in the field of  electric musical instruments (the Coral Electric Sitar) at the time.

"DOWNTOWN MOVIE NIGHT ON THE CREEK" IS BACK: One year ago, At The Matinee reported on the Downtown Frederick Partnership and their Free Movie Night on the Creek series.

The organization is bringing the event back for this year, by kicking off the series and showcasing Steven Spielberg's 1993 masterpiece, Jurassic Park (based off of the novel by Michael Crichton).

The outdoor showing of Jurassic Park will be shown at the Carroll Creek Linear Park on the evening of July 24th.  Doors open at 7:00 PM, and the film begins at 9:00 PM.  This is being shown in relation to the new installment in Universal's franchise, Jurassic World (which will be released in theaters nationwide on June 12th).

Last year, I asked one of the directors of the Downtown Frederick Partnership if the event would include revival screenings of classic and contemporary films.  Though I did receive a prompt response from the executive director of the organization last year- the group did not have any plans of showcasing classic or contemporary feature films during the event.   Yet another unfortunate indicator of classic cinema being ignored in the Frederick area.

To all fellow readers of At The Matinee:  When I learned that the Downtown Frederick Partnership was bringing back its Free Movie Night on the Creek festival, I left a message on the organization's Facebook page.

If you're interested in requesting that classic films be shown during the event, let your voice be heard- by posting on the Downtown Frederick Partnership Facebook page, or by directly contacting the group here.

NOTE: I'm not badmouthing the current lineup of motion pictures for the festival, just suggesting that classic and contemporary films on a giant outdoor screen would be great for those that may have never seen them on the big screen before.

Previous posts on Free Movie Night on the Creek can be found here and here.

One Last Look: Walkersville's T.R. Saylor & Company Hardware Store (1903-2015)

T.R. Saylor & Co. (True Value) Hardware, January 2015
(featured in Hood College's "Home" photograph
exhibition in February 2015).

END OF AN ERA: T.R. Saylor & Co.,
"Going Out of Business" (May 29, 2015).

"It ain't just paint."  -Tagline for Martin Paint, a New York-based hardware and paint retailer, which was in business from 1942 to 1996.  Martin Paint was one of the longtime sponsors of The Joe Franklin Show.

END OF AN ERA: At The Matinee shifts gears from the field of classic, cult and contemporary cinema to the local hardware store.  In these times (especially in Frederick County, Maryland)- local hardware stores are virtually obsolete, thanks to the monstrosity of boring "big box" hardware retailers in the Frederick area.

Unfortunately, this year marks the end of an era for a local hardware retailer in the same hometown where my classic film blog originates from.

T.R. Saylor & Company, which has been part of the Walkersville community for over 112 years, is closing its doors for good.  The business was established by Thomas Ralph "T.R." Saylor in 1903.

Throughout the years, not only did it operate as a hardware and paint store- it also operated as a service station, with their noticeable vintage Shell gas pump(which was still on display outside long after the store discontinued selling gasoline, the store's owners removed the vintage gas pump several years ago).  The store was affiliated with American Hardware Supply, which later became ServiStar, which merged with the parent company of True Value Hardware in 1997, making T.R. Saylor & Company part of the True Value network of local and regional hardware retailers.

As one walked into T.R. Saylor & Company, it was much more than a local hardware store. Customers received friendly and knowledgeable service- which is a rarity these days.

SIGN OF THE TIMES: Vintage General Electric (GE)
lighting display rack inside T.R. Saylor & Co.

Not only did Walkersville's local hardware store carry the latest in hardware and garden equipment, they also carried rare items that have been on the shelf for years- including a vintage GE "hot lather" shaving cream dispenser, a Black & Decker electric shoe polisher, along with bulk mint-condition Memorex blank VHS tapes (dating back to the late 1980s, still in its original shrink wrap).  Some items still had vintage "American Hardware" or "Servistar" price stickers.

I first heard about the closing when I received a letter in the mail from the store earlier this months (on the day of final exam for my "Screen Craft" class at Hood), announcing that the store would close for good.   One of several factors was that the current owners wanted to retire, another was the opening of Lowe's at the "Clemson Corner" shopping center in 2011.  In this writer's view, Frederick did not need another grungy, boring and depressing "Lowe's" location (along with the sprawl on Route 26).

Earlier this year, I photographed the storefront of T.R. Saylor & Company, for my Hood College photojournalism class project, in relation to the theme of "home."  My picture was featured in the Hood "home" exhibition, and received positive praise from fellow friends, students, instructors, spectators and art lovers.  I was hoping that my picture in the  exhibition would help bring in more business for the store.

Even though T.R. Saylor & Co. will be no more, the name will be with the now-defunct local hardware stores of the region- including Ingalls Lumber of Middletown (which was associated with American Hardware/Servistar and True Value until its demise) , and May's Hardware in Frederick.

With the demise of T.R. Saylor & Co., Woodsboro's N.Z. Cramer & Son is one of the last locally-owned hardware and lumber retailers in the region.

Farewell to T.R. Saylor & Co.  It won't be the same without a "real" hardware store in the area.

Memorial Day

1942 advertisement for Paramount Pictures. and the studio's newsreel coverage
of War in the Pacific, filmed by staff news cinematographer Arthur "Art" Menken. 

Gettysburg's "Majestic" Theater to showcase Summer Classic Film Series

The Majestic Theater in Gettysburg, adjacent to the historic
Gettysburg Hotel (circa 2009).

The Majestic  in 1984 (then-owned by R/C Theatres),
being converted from a single-screen theater
into a "triplex cinema."

The Majestic Theater in Gettysburg, Pennsylvania has had a lot significant moments since the cinema opened next to the historic Gettysburg Hotel in 1925.

It was one of many theaters that decided to showcase sound films using both sound-on-disc (Warner Bros.' "Vitaphone") and sound-on-film (Fox's "Movietone") formats in 1929.    Ironically, Warner Bros. would own the Majestic, spanning from the late 1930's until the 1948 "Paramount" anti-trust decree, forbidding studios to participate in the exhibition business (Warners' theater holdings- including the Majestic, along with its sister cinemas in the Frederick area- the Tivoli, the City Opera House and the Frederick Theater would be spun off to Fabian Interests, under the banner of Stanley Warner Theaters).  

The Majestic was remodeled for the exhibition of Twentieth Century Fox's Cinemascope widescreen features in 1954 (according to an advertisement in The Gettysburg Times, showcasing How To Marry A Millionaire as the theater's first Cinemascope film).  

Shortly thereafter, the theater was used for The White House Press Corps, when President Dwight Eisenhower was at his Gettysburg farm.  Both President and Mrs. Eisenhower were frequent visitors to the Majestic when they were hosting international leaders in Gettysburg.    The Majestic hosted the American premiere of Federico Fellini's 1969 film, Fellini Satyricon.  In 1993, Ronald F. Maxwell's Gettysburg (originally conceived as a made-for-TV film in conjunction with Ted Turner) premiered at the theater.

In 2005. renovations were made to the Majestic, which was now under the ownership of Gettysburg College, to accommodate live stage and music performances in addition to showing first-run, independent and classic feature films.  In 2012, the theater installed digital projection systems to showcase digital prints of feature films, along with screening live broadcasts of opera, musical and orchestral performances from the Metropolitan Opera (via satellite).

1942 advertisement (in The Gettysburg Times) for the Majestic, showcasing
the comedy George Washington Slept Here, starring Jack Benny and Ann Sheridan.

"CLASSIC MOVIE NIGHT" SERIES AT THE MAJESTIC: One great aspect about the Majestic is that the cinema's management is doing a wonderful service for movie buffs, classic film aficionados and area students who might be interested in classic film- by showcasing classic films the way they were meant to be seen, on the big screen! 

Beginning on June 3rd, the theater will kick off their summer classic film series, showcasing a classic film every Wednesday evening at 7:30 PM.  Admission is $6.00 per person.   Tickets can be purchased at the Majestic box office, or can be purchased by phone by calling 717-337-8200.

Here's the listing of classic (and modern) films that will be shown at the Majestic for the summer:

June 3rd- Wings (1927), directed by William A. Wellman, featuring Gary Cooper, Clara Bow and Charles "Buddy" Rogers.  The first motion picture to receive the Academy Award for "Best Picture."

June 10th- It Happened One Night (1934), directed by Frank Capra, featuring Clark Gable, Claudette Colbert and Walter Connolly.  The first film to be honored with all five major Academy Awards for Best Picture, Best Actor (Clark Gable), Best Actress (Claudette Colbert), Best Director (Frank Capra), and Best Screenplay.   Capra's landmark film helped put minor studio Columbia Pictures on the map. 

June 17th- Rose Marie (1936), directed by W.S. Van Dyke, featuring Nelson Eddy, Jeanette MacDonald, and James Stewart.

June 24th- Yankee Doodle Dandy (1942), directed by Michael Curtiz, featuring James Cagney, Joan Leslie, Walter Huston, George Tobias, Frances Langford and S.Z. "Cuddles" Sakall.  Winner of three Academy Awards, including Best Actor (James Cagney), Best Sound Recording (Nathan Levinson and the Warner Bros. sound department), and Best Music, Scoring of a Motion Picture (Ray Heindorf and and Heinz Romfeld).  Includes free raffle prizes and an introduction by Jeffrey W. Gabel, founding executive director of the Majestic.

July 1st- The Best Years of our Lives (1946), directed by William Wyler, featuring Myrna Loy, Frederic March, Dana Andrews, Teresa Wright, Virginia Mayo, Cathy O'Donnell, Hoagy Carmichael, Harold Russell and Gladys George.  Winner of seven Academy Awards, including Best Picture (Samuel Goldwyn), Best Director (William Wyler), Best Actor (Frederic March), Best Supporting Actor (Harold Russell), Best Screenplay (Robert E. Sherwood), Best Film Editing (Daniel Mandell), and Best Score (Hugo Friedhofer).

July 8th- Rio Grande (1950), directed by John Ford, featuring John Wayne, Maureen O'Hara, Victor McLaglen, Harry Carey, Jr., J. Carroll Naish, Chill Wills, Ben Johnson, Grant Withers, and "The Sons of the Pioneers."

July 15th- Carousel (1956), directed by Henry King, featuring Gordon MacRae, Shirley Jones, Cameron Mitchell and Gene Lockhart.

July 22nd- Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), directed by Stanley Kubrick, featuring Peter Sellers, George C. Scott, Sterling Hayden, Slim Pickens, James Earl Jones, Keenan Wynn, Peter Bull and Tracy Reed.

July 29th- Bye Bye Birdie (1963), directed by George Sydney, featuring Ann-Margaret, Janet Leigh, Paul Lynde, Bobby Rydell, Maureen Stapleton, Ed Sullivan, Dick Van Dyke and Jesse Pearson.

August 5th- Close Encounters of The Third Kind (1977), directed by Steven Spielberg, featuring Richard Dreyfus, Teri Garr, Melinda Dillon, François Truffaut and Bob Balaban.  Winner of an Academy Award for Best Cinematography (Vilmos Zsigmond).  NOTE: At The Matinee is unsure if the original 1977 release version, the 1980 "Special Edition" version, or the 1998 "Collector's Edition" version will be screened at the Majestic.

MODERN FAVORITES:

August 12th- Indiana Jones and The Temple of Doom (1984), Directed by Steven Spielberg, featuring Harrison Ford, Kate Capshaw and Ke Huy Quan.  Winner of an Academy Award for Best Visual Effects (Dennis Muren, Michael J. McAlister, Lorne Peterson and George Gibbs).

August 19th- The Big Lebowski (1998), Directed by Joel and Ethan Coen, featuring Jeff Bridges, Julianne Moore, John Goodman, John Turturro and Steve Buscemi.  Winner of the Awards Circuit Community Awards for Best Actor in a Supporting Role (John Goodman).

August 26th (Final film in the series)- Gladiator (2000), Directed by Ridley Scott, featuring Russell Crowe, Joaquin Phoenix, Connie Nielson, Oliver Reed, Richard Harris, David Hemmings and Derek Jacobi.  Winner of 5 Academy Awards, including Best Picture (Douglas Wick, David Franzoni,
and Branko Lustig), Best Actor in a leading role (Russell Crowe), Best Costume Design (Janty Yates), Best Sound (Scott Millan, Bob Beemer and Ken Weston) and Best Effects, Visual Effects (John Nelson, Neil Corbould, Tim Burke and Rob Harvey).

This is a perfect opportunity to see classic and contemporary cinema at the "grandest small-town theater in America."  To fellow readers of At The Matinee: if you're interested in seeing one of the many Majestic classics on the schedule (on Wednesday evenings during the summer), it would be an enlightening experience.

At The Matinee salutes Gettysburg College, Jeffrey W. Gabel (founding executive director of the Majestic) and the staff and management of the Majestic for keeping the spirit of classic (and contemporary) cinema alive and well on the big screen! 

ATM Remembers: B.B. King (1925-2015)

At The Matinee remembers iconic blues guitarist B.B. King, who died on May 14th in Las Vegas at the age of 89.

He was born as Riley B. King on September 16, 1925 in Itta Bena, Mississippi.  The son of sharecroppers on a tenant farm, King's parents separated when he was 4 years old.   He played music on street corners before living with his cousin, blues musician Bukka White in Memphis, Tennessee in 1947.  King's passion for blues music was influenced by blues guitarists T-Bone Walker, Django Reinhardt and Blind Lemon Jefferson.

King would perform on Sonny Boy Williamson's radio program, which led him to a job at Memphis radio station WDIA, where he became a disc jockey and performed on air. Riley King's nickname was the "Beale Street Blues Boy," settling for "B.B." as his name.  In 1951, B.B. King recorded his first hit song on the RPM label, "Three O'Clock Blues."   Shortly thereafter, he would perform as a traveling musician, and was known for playing 342 evening performances throughout 1956.

King was known for his guitar, named "Lucille."  His first guitar was an acoustic guitar while performing at a dance hall in Arkansas.  While King was performing, two men were fighting over a girl named Lucille.  The two men kicked over a stove in the venue, and started a fire.  King left his acoustic guitar in the burning building, and rushed back to retrieve his instrument.  After King realized the reason why the two men were fighting, he decided to name his guitar "Lucille."  He had several iconic "Lucille" guitars throughout his career (the Gibson ES355 model).

In 1961, B.B. King signed with the recorded music division of the American Broadcasting Company (ABC).  In 1965, he released one of his popular live concert albums, Live at the Regal.

In 1970, King released his iconic crossover hit, "The Thrill Is Gone," which was a smash success on both popular and blues music charts.

B.B. King set himself apart from the usual blues musician, by playing high up on the neck of the guitar, giving a "signature sound" to his songs. with his left hand vibrato style and his vocal-style string bends.  King's guitar styling would influence modern blues and rock musicians, including Jimi Hendrix (1942-1970), Stevie Ray Vaughn, Eric Clapton, Jeff Beck and Bruce Springsteen- just to name a few.

B.B. King won 15 Grammy awards. and was given a lifetime achievement Grammy in 1988.  In 1984, King was inducted into the Blues Foundation Hall of Fame, and was inducted into the Rock & Roll Hall of Fame in 1987.  In 1994, he was awarded with the Kennedy Center Honors by President Bill Clinton.  In 2006, President George W. Bush awarded King with the Presidential Medal of Freedom.  In 2012, King performed "Sweet Home Chicago" for President Barack Obama at The White House.  President Obama would join King on stage during the White House concert, alongside icons Mick Jagger and Ry Cooder.

Farewell to the "father" of modern blues, B.B. King (1925-2015).

"The Third Man" (1949) to be re-released in honor of Welles' Centennial

Orson Welles in Carol Reed's The Third Man (1949).

Today would have been the 100th birthday of legendary actor, producer and writer Orson Welles (1915-1985).

Independent distributor Rialto Pictures, which handles the North American distribution of the StudioCanal+ library, has announced that they are going to re-release Carol Reed's 1949 thriller, The Third Man, which was adapted from the novel of the same name by Graham Greene.  The distributor announced this on the centennial of Welles' birth.  Rialto will release The Third Man to selected theaters in major cities.

The film features Welles, Joseph Cotten (who was also in Welles' 1941 masterpiece, Citizen Kane), Trevor Howard, Alida Valli, Wilfrid Hyde-White and Bernard Lee.  It was originally released in the United Kingdom by British film magnate Sir Alexander Korda, in cooperation with David O. Selznick.  Selznick released a truncated version Carol Reed's film in the United States.

The Third Man (the complete British version) was recently remastered in 4K by Deluxe, for digital exhibition.

Washington-area audiences will get the chance to see the newly restored version The Third Man, which will be shown at the American Film Institute's Silver Theater in Silver Spring, Maryland beginning on June 26th.  This is part of an AFI screening series of Welles' best cinematic works, in commemoration of the centennial of the actor's birth.

If you've never seen The Third Man or any one of Orson Welles' cinematic works (Citizen Kane, The Magnificent Ambersons, Touch of Evil, etc.)- see them when you have the chance.